g beat goes to VEGAS
by David Gans
I am a co-host, with Evelyn Pine (evy@well.com) and
Kay Hardy (kayo@well.com), of the BEATLES conference (g beat) on the Well.
LaborDay weekend 1992 we flew from Oakland to Las Vegas to see RINGO
STARR AND HIS ALL STARR BAND at Caesars Palace. The following is
my account of the trip, from notes taken at the time and on the plane ride
home.
Boarding the plane with a latte moustache. Airport "latte"
made with coffee-mate (Latte-mate?). Elvis seen in overhead compartment
eating all the in-flight snacks.
09:51 - before we're even airborne, Evy brings the conversation around
to VTM (Van Morrison. You'll need to know this later, probably).
Flight attendant's BIG HAIR visible above the bulkhead. Vegas bound! The
hosts of g beat consider getting BIG HAIR upon arrival.
Carcinogenic or hallucinogenic: the choice is yours.
Evy has brought a care package for each of us. A box from Crabtree and Evelyn
containing: a money clip full of play money; Hanukkah gelt; a sheriff's
badge (evoking Elvis as only Evy can); a blue- haired troll doll in a red
convertible. There will be red convertibles everywhere, it turns out.
Pleasant discussion of Ringo's songwriting. "You were in a car crash
and you lost your hair." The BIG HAIR concept is abandoned.
We're saving our peanuts for the COME line.
11:17, on the ground at LV: DG's first quarter pays 10 quarters.
DG will leave the airport $5 ahead.
Cab driver takes us in the back way - "The strip is a parking lot today!"
- and as we approach Caesars Palace (no apostrophe - we're all caesars on
this bus) we see, in letter as big as Evy, RINGO STARR AND HIS ALL STARR
BAND (no hyphen).
Anatomically correct statuary. Lots of it.
Keno runners are in "red goddess uniforms"
E: "Where do I pee?"
K: "Try to find a bathroom."
12:15 - Evy wins $2 @ keno while in the bathroom or (we fear) lost
in the casino. We play her ticket again.
First tie-dye sighted.
12:28 - Evy still has not returned. We suspect she has fallen in
love with an Egyptian Elvis impersonator whose command of the language is
none too good.
12:30 - Evy returns without an explanation. Pledges her $2 winnings
to the Pickle Family Circus.
Kay notes "grotesque souvenirs" and then refers to the statuary
as "Bernini wannabini."
Lunch at Lombardi's in The Forum, trying to talk over the roar of the faux-Bernini
fountain in the gathering artificial dusk. We decide this "four-hour-day"
bizniz (the lovely painted sky grows bright again in a few minutes) is so
they can charge dinner prices during the day.
Motto of Boogie's Diner: EAT HEAVY, DRESS COOL. Boogie's seems to be more
souvenir shop than restaurant.
Amazing talking statues in The Forum mall, except their sound track is unintelligible.
We find a photo booth that electronically mattes us into a Las Vegas picture
postcard. We push the HELP button and it talks to us. "Please insert
three one-dollar bills into the bill acceptor, one at a time." We choose
one of the three excellent postcard backgrounds and the voice says, "GREAT
CHOICE!" We wind up getting three pictures, one of each background,
and each time we select the machine says, "GREAT CHOICE!" Kay
got the best one.
Not far from the animated godz, a handsome blond mannequin man in the
window of North Beach Leather imitates their mechanistic movements. The
blurring of reality and fantasy threatens our sensibilities yet again.
E "Life is rich, so we don't have to be."
K: "That's fallacious."
This town is a push-up bra.
Lobsters for dinner! The line for "lobster buffet" at the Sands
is way long, so we walk up to the Rosewood Grille. Lobsters the size of
dachshunds, but at $17.50 a pound we'd have to do some serious winning to
cover it. So we walk back to the Sands and take turns waiting in line. Three
nice lobsters each and all the roasted potatoes we can eat. "Pastries
of the World" dessert display includes red jello. America, is beautiful
country!
K: "That canned corn flavor, right on the cob!"
E: "Don't make me spench my eclair."
Actually, Evy and Kay only have two lobsters each. Two rounds of keno during
dinner, no joy.
After dinner we head over to the Mirage to watch the "volcano."
D: "Stoopid."
K: "A colossal waste of natural resources, but I loved it!"
E: "Fabulous! Great! I was screaming, 'Go! Go! Go!' through the whole thing!"
Finally, the show:
FOOKIN' RINGO!!!!!!!!
Todd Rundgren took the stage wearing one of those ridiculous Centurion costumes
that some hapless Caesars Palace employees must wear every day. Plastic
breastplate, plastic shin guards, big red plume on the helmet - awesome!
They opened with "I'm Great" (is that the name of it?) and followed
with "The No No Song." Then Burton Cummings stepped up for "No
Time." The vocal harmonies were magnificent all night - the whole front
line sang, and they obviously put some work into the arrangements.
Dave Edmunds followed with "Girls Talk." That was the song that
was still running through my brain as I tried to get to sleep several hours
later.
Timmy Schmit was next up with "I Can't Tell You Why," then Nils
did a song whose title escapes me - "Shine" something-or-other?
The man is a powerhouse.
Todd then performed "Bang the Drum," a totally awesome and fun
song that I want to learn for my band! Todd clearly had the most fun of
all the musicians, switching off between electric and acoustic, marshaling
the vocal ensemble and (of course) clowning to beat the band. He pulled
off some of that stupid plastic armor for a while but put it back on again,
then took it off again later and played a few songs bare-chested, posing
and bump'n'grinding in that silly Roman skirt.
Ringo did a k00l song from his new album, with the line "Don't go where
the road don't go" (I think), then followed it with a great sing-along
"Yellow Submarine." The house went bonkers, of course. It sounded
like he got the original sound effects track from the Beatles album for
the middle part.
Then the band left the stage and Burton Cummings performed "Undun,"
playing the flute and accompanied only by Nils on electric guitar and Tim
Cappello on percussion.
Edmunds followed with the neat musical moment of the night: a solo electric
guitar fingerpicked "Lady Madonna"!
Then Schmit came out with an acoustic guitar and all the vocalists joined
him for my favorite blast-from-the-past of the night: "Keep on Tryin',"
a latter-day Poco hit that I sang with a bar band in the mid-'70s and haven't
heard since. Vocal tour de force.
The sax-/keyboard/percussion guy, Cappello, took the band into a wild space
for a "Wiggle" song. Not the high point of the show, but what
the hell. Todd followed that with a sludge-rock parody (Evy and Kay didn't
think it was meant to be funny; they were certainly Not Amused).
Ringo returned and the band swung into "You're 16" and another
one from the new album, "Weight of the World."
The next tune was a big anthem by Nils, whose repertoire I am shamefully
unfamiliar with. "Walkin' Man," maybe? Inspiring stuff.
Edmunds did the much-anticipated "I Hear You Knockin'" next. I
liked his earlier offering better, but I always have.
"American Woman" followed. Neither Evy nor Kay has anything good
to say about this, and I must admit I thought it sounded pretty dumb, too.
The already-loud sound was cranked to Guess Who level for this one. After
it was over Ringo made a pretty sarcastic remark that indicated he wouldn't
miss that particular moment of the tour, which ended with this performance.
"Boys" was an unexpected highlight, with a spectacular background
vocal arrangement and Todd taking a spin through the audience while playing
a guitar solo and finishing it onstage with Nils' trademarked somersault.
The main set ended with "Photograph," and the encores were "Act
Naturally" and (of course) "With a Little Help from My Friends."
During the ride, Todd put down his acoustic guitar and moved over to Ringo's
drum kit.
I loved it. It was a "nostalgia" show in many ways, but the band
was truly all-star caliber and no one was phoning it in. It is to Ringo's
credit that he knows his limitations, and it is to everyone else's credit
that they put a great deal of professionalism and enthusiasm into their
performances.
Zak Starkey did a hell of a job on the drums.
Most welcome surprise revival: Keep on Tryin'
Least welcome: American Woman
Best legs: Todd
Best Hair: Zak Starkey (runner-up, Period Look division: Dave
Edmunds)
Best enormous great hooter: Ringo
MVP, guitar: Nils
MVP, show: Todd (Evy and Kay will dispute this)
Best bump and grind: Todd
Best solo feature: Lady Madonna (Dave Edmunds)
Best Ringo number: Boys
Best sing-along: Yellow Submarine
Best technical glitch: failure to make link to Jerry Lewis Telethon
Best seat scamming: Evy
Most glaring omission from the g beat itinerary: we forgot to visit
the Liberace museum.
Back to the casino:
Video poker is the most efficient way yet devised to separate you from your
money. NO moving parts.
We meant to go back to the Fraternius Warnerius store but we ran out of
time. Video poker can be SO engrossing.
We slept well, I think. Went down to the buffet for breakfast. Talked about
some important topics; Evy sliced straight to the heart of a certain matter
and delivered the perfect advice. Then we scattered into the casino, each
to her favorite game, for 90 minutes of desperate disbursement.
I spotted Evy in the lounge near the front desk of the hotel (which is damned
hard to find. That place has no exit signs, no clocks, and very few rules
to guide), quietly reading The Secret History. She stopped playing
video poker well in advance of our scheduled meeting time because, totally
excellent and self-aware humanoid that she is, she knew she needed some
time to decompress from the intensely weird atmosphere of video poker land.
Either that, or she ran out of cash.
Is it possible to be jet-lagged without changing time zones? The whole trip
seems to have taken me to another planet altogether.
E: "What a short sweet trip it was: ten vulgar years crammed into twenty-four
hours and fifteen drinks."
All was tranquil and pleasant in our traveling party - what excellent company
we are! - until 2:10 pm in the boarding lounge at the airport, where Evy
made us go a full hour earlier than we needed to go, the BUTTHEAD! I think
Kay's and my surliness had to do mostly with the fact that there were no
25-cent video poker machines at the airport. Anyway, we got into a bitter
dispute over the identity of the lead vocalist on "Good Night."
Evy thinks it's Ringo, can you imagine that?
An innocent bystander was drawn into the fracas, but he had no definitive
information to offer. But he was a Beatle fan and also a Grateful Dead fan,
so we let him live.
Still, the contretemps was short-lived. We picked on each other between
Vegas and Burbank, but then we moved to the front of the plane, where we
were joined by a pleasant young college student who sat down in the rear-facing
seats in front of us, moving Kay to mutter something caustic that didn't
inspire the young lady to move. So we picked on her mercilessly all the
way to Oakland.
No, we didn't. I made that part up. We were very nice to her when we weren't
in our own private world of Big Fun.
Las Vegas: a city without exits. "This is what makes America great.
Plus, it's all indoors!" said Kay, several times. Those casinos are
designed to keep you moving through them and to keep you from finding an
exit.
The nice thing about video poker is that you lose your money as slowly as
you do playing keno, but there's a lot more action. If you're quick enough
on those buttons you can play a game in eight seconds, whereas keno takes
fifteen or twenty minutes. And you don't have time to drink while playing
video keno.
